THE STORY OF BOYS AND GIRLS
DIRECTOR: PUPI AVATI
COUNTRY: ITALY 1991
CAST: Incredibly Large Cast.
SUPER FEATURES: Story is odd, but to the point.
MUSIC: Riz Ortolani
Italian films, specially dealing with family virtues, have a lot of things to
consider. In a nation divided by the strength of the catholic faith, its people
seem to constantly have an internal battle with the ideals, which while well
meaning, are not followed at all, and more often than not are hidden.
This film is actually another exercise in finding out who they actually are, and
why. A large family is preparing a wedding for one of its daughters, and
everyone is invited.
And everyone shows up.
That's when everything hits the fan. All of a sudden, there are jealousies which
come out of nowhere, and expose the corruption of the whole family. The father
has been cavorting with a young girl who is going to get married to somebody
else he dislikes for more than one reason. He also learns she has been having
affairs with others. And his daughter is also far from a saint, and has been
involved in many affairs, many of which come clear, when it is seen that former
lovers, and relations still want to have sex with her.
And amidst it all is the mother's brother, who is getting older and has taken up
a young woman lover with whom he travels, and who keeps house for him and his
wife who is an invalid. The wife approves of the man's companion (she's also
pregnant) since she can't satisfy him. And the man's sister, is terribly upset
that he has brought a prostitute ( so they
call her ) to the family affair. And towards the end of the film he explains
himself, and all the others end up shutting up because they all lie, and this
man doesn't. They all have, or had, lovers, and said nothing about it, and above
all, the women usually do not talk about it, because of the condescending
attitudes which the hypocritical men usually undertake.
The film is really a vicious attack on the mores of the whole family, in that
they confuse righteousness with ideals, and with reality. The mother is awfully
biter, and carries many crosses because she knows her husband is having affairs,
and she has become a bitch. She is not fun anymore, he says. She apparently
never was, either, though he admits he married her out of spite.
As is customary, in many Italian films, the family fiber is very confused, and
not totally clear, in a society where men still mistreat the women, and take
advantage of them. And the film is a bit of a victory for honesty, in that the
only relationship that is not messed up, and emotionally bound to disgust and
hatred is the elder man's surrogate wife who replaces his actual wife, and with
an apparent agreement, which the girl has accepted. She was poor, on drugs, and
destitute, and this man saved her from the ugly streets. She owes him a favor.
it seems, and she does not dislike the elder man.
While not a fun film to watch, it seems that every soap opera star in Italy is
cast in this film, and it is well done, were it not that it is filmed in
provincial Italy, and has an aged and traditional feel to it. The new tradition
is honesty, and the whole family doesn't have it.
The film ends with everyone going their way. Nothing has really changed since
the young man engaged to the daughter is making his eyes towards the rich
widower of the family (another sister of the mother), with whom he will
undoubtedly have a hot affair which started in this province and will be
consummated in Rome in the protection of the larger town, where gossip tends to
disappear faster than it appears.
GOOD FILM. TENSE FAMILY SITUATIONS.
3 GIBLOONS
Please email me with questions and/or comments
Pages Copyright ©
2009/2010/2011/2012/2013/2014/2015 Pedro Sena -- Last modified:
09/02/2015