THE MYSTERY OF RAMPO
DIRECTOR: KAZUYOSHI OKUYAMA
JAPAN 1995
CINEMATOGRAPHY: YASUSHI SASAKIHARA
MUSIC: AKIRA SENJU
CAST: Masahiro Motoki, Naoto Takenaka, Michiko Hada, Teruyiuhi Kagawa, Shiro
Sano
WRITTEN BY: Edogawa Rampo
ONE WORD: The filming is awesome.
There are very few films that stand out, as not only amazing, they also look
good, and just leave you hanging ... I suppose that making it a positive
endeavor towards the end, helps, so that we can leave with a good feeling, and
this story is just as gut wrenching as any I have ever seen in film.
Taken from a writer who was banned several years ago in Japan, Edogawa Rampo's
novel, this film adaptation, makes the novel look like a cartoon, if you don't
mind me saying so even though I have not read it ... it is just so colorful and
full, that it is hard to accept that the novel can be even better.
The film starts with a cartoon, telling the story of the novel that was banned.
In about ten minutes, the film has set the tone for a story that is unusual,
that we are not quite clear as to where it is going to lead.
The cartoon tells a story of a man's death while playing with his children. The
death is termed accidental, but everyone around where the woman lives, thinks
that she is the one that did it, because she wants his shop, or money. The
problem is that, the story that was banned, some months ago by the writer, was
exactly like this one. And while the authorities have cut out the lifeblood of
this writer's work, they have not stopped the flow of ideas, and the visions.
The writer's agent immediately tells him that this true situation is the perfect
reason why a sequel to the novel should be done.
And the writer sets about writing his alter ego, in the previous novel... they
all come alive and tell him where to go. And while this happens, there are some
absolutely fabulous moments in filming. While visiting the woman, towards the
end, after her husband's death in the story, there are a series of astonishing
visuals ...one in particular, when the writer's alter ego walks in front of the
mirrors, and the reflection we see is the writer ... an astonishing image ...
the whole film is full of stuff like this.
Films about writers, tend to be rather odd, off the wall, and often very much
off the mark. This film redefines the genre, in a style that is just so
different, and yet so alive. The book is so alive in front of our eyes, a
tremendous credit to the director who made this whole thing come alive so
clearly.
And in between, there are several lyrical passages, where the writer indulges in
his passion for this woman, or shall we say, his alter ego indulges in the
passion... what's the difference?
One of the most colorful films I have seen in the past five years, with some
excellent music to go along with it. There aren't many films done that stand out
like this one. This story is so magical that it is almost totaly mystical....
yet so true.... so true.... the agonies a writer goes through, and how he feels,
the impossibilities, and the visions... how to live with it. And to add to this,
the film turns positive, where many do not. This may have been a response to the
Japanese authorities banning of the first story. The second one, or this film,
becomes the love story.
And what a story this is.
Editorial: This film brings about something that I wish that Japan had done more
of, unless we are not getting to see those releases on the world stages. In
general, like Kauffman's Steppenwolf, is using the cartoon medium to add to the
story, and help it along. In Kauffman's film, it is the cartoon that takes us
"inside" the character's mind, and with his analogies and sometimes opinions.
This film does it similarly and does it beautifully sometimes mixing the two
effortlessly and with such aplomb.
MUST SEE
5 GIBLOONS
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